Cameras & Gear Powered by 14.8 V V-Mount
This guide lists professional camcorders and cinema cameras widely used in Europe that are compatible with 14.8 V V-Mount batteries (either natively or via a plate/regulator). You’ll find short descriptions, typical power draw, and quick spec/manual links, plus community resources where owners share configuration and power tips.
Runtime tip: Estimated runtime ≈ Battery Wh ÷ Camera power (W). Example: 98 Wh ÷ 24 W ≈ 4.1 h (body-only; accessories reduce runtime).
Sony
VENICE 2 (CineAlta)
Sony’s VENICE 2 is a flagship digital cinema camera for high-end features and series. It accepts a wide DC input range and is commonly rigged with V-Mount plates and hot-swap solutions to cover higher accessory loads on set. Crews often size batteries based on operating mode, recording codec, and the number of powered accessories attached.
- Typical body draw: ~60–76 W (mode dependent)
- Product page
Community resources: Cinematography.com · Reddit search · DVXuser
PXW-FX9
The FX9 is a full-frame camcorder widely used in broadcast and documentary. It’s typically powered from 14.8 V batteries via a regulated V-Mount plate or battery slide that feeds the DC-in, giving longer runtimes than native packs. Operators often standardize on V-Mount to power monitors, wireless video and audio receivers from the same source.
- Typical body draw: ~35 W
- Brochure (PDF)
Community resources: DVXuser · DV Info Net · Reddit search
ILME-FX6
Compact and popular for gimbal and run-and-gun work, the FX6 is often paired with a small V-Mount plate or D-Tap to DC-in solution. V-Mount lets crews power camera and accessories (TX/monitor) from a single source. Many owners compare it alongside FX9 as a light B-cam for multicam documentary setups.
- Typical body draw: ~18–36 W (settings/accessories)
- Manual
Community resources: Reddit search · DVXuser · DV Info Net
XDCAM Shoulder: PXW-Z450 / PXW-X400 / PXW-X500
Sony’s shoulder-mount XDCAM line is standard in ENG across Europe. These bodies integrate a native rear V-Mount plate, so 14.8 V packs mount directly. Their moderate draw gives long runtimes on 98–155 Wh batteries, even with typical ENG accessories.
- Typical body draw: ~22–25 W (model dependent)
- XDCAM overview
Community resources: DV Info Net (Z450) · XDCAM-User · Reddit search
PMW-500 (XDCAM HD422)
The PMW-500 accepts V-Mount batteries natively and remains a common ENG workhorse in Europe, valued for reliability and endurance with 98–155 Wh packs. Owners often share scene file presets and lens pairing advice for fast-turn news.
- Typical body draw: ~20–25 W
- Brochure (PDF)
Community resources: DV Info Net · DVXuser · Reddit search
PMW-F55 / PMW-F5 (CineAlta)
These CineAlta cameras are still active in commercials and factual production. They are typically run with V-Mount rear plates, with capacity chosen based on accessory load. Owners often compare colour pipelines and monitoring LUTs against newer full-frame systems.
Community resources: DVXuser (F55) · DVXuser (F5) · Reddit search
F65 (CineAlta)
Sony’s F65 remains a high-end digital cinema body. On handheld or mobile rigs, it is commonly powered via V-Mount solutions to integrate with the rest of the camera system. Communities discuss service/maintenance, recording options and power best practices.
Community resources: Cinematography.com · Reddit search
Canon (Cinema EOS)
EOS C500 Mark II
Canon’s full-frame C500 Mark II is widely used in commercials and high-end documentary work. With EU-V2/EU-V3 extension units, the camera accepts a V-Lock plate for direct 14.8 V battery use and on-rig power distribution. Users often discuss autofocus behaviour, colour pipeline, and best practices for power when adding accessories.
- Typical body draw: ~28–34 W
- Specifications
Community resources: Reddit search · DVXuser
EOS C300 Mark III
The Super 35 C300 Mark III is a staple for television and factual content. Pairing it with the EU-V2/EU-V3 V-Lock unit is a common way to run the camera and on-board devices from one V-Mount battery. Owners trade tips on codecs, cooling behaviour and rig balance.
- Typical body draw: ~29–31 W
- Specifications
Community resources: Reddit search · DVXuser
EOS C700
The C700 is Canon’s shoulder-friendly cinema body. It is frequently configured with a V-Lock plate/module to support standard 14.8 V batteries and on-rig power. Community topics include low-light behaviour, build options and accessory power distribution.
Community resources: Cinematography.com · Reddit search
ARRI
ALEXA Mini LF
A reference camera for premium productions, the Mini LF is commonly powered with V-Mount plates on lightweight rigs. Accessory power needs can be significant; productions often plan for higher-capacity packs or 24 V ecosystems where required. Owners discuss image characteristics, media choices and power management across different accessories.
- Typical body draw: ~65 W (configuration dependent)
- Technical data sheet (PDF)
Community resources: Cinematography.com · Reddit search
RED Digital Cinema
V-RAPTOR / V-RAPTOR XL / KOMODO-X
RED’s modular line integrates V-Lock plates as standard. Smaller bodies like KOMODO-X often use compact packs, while XL builds typically use higher-capacity batteries and hot-swap plates to cover camera and accessories. Communities compare highlight handling, codecs and fan behaviour alongside power distribution approaches.
Community resources: REDuser (forum) · Reddit search
RANGER (MONSTRO / GEMINI)
RANGER bodies are turnkey production configurations. They’re commonly paired with V-Lock power in field use; RED’s guides outline recommended battery setups for reliability. Owners discuss reliability, I/O, and how to size batteries for multi-accessory builds.
Community resources: REDuser (forum) · Reddit search
Blackmagic Design
URSA Mini Pro 12K / 4.6K G2
URSA Mini Pro cameras support industry-standard rear battery plates. Operators commonly use V-Mount to power the camera and on-board accessories from a single source. Community threads cover high-fps recording, OLPF options and oversampling strategies for 4K delivery.
Community resources: Blackmagic Forum · DV Info Net · Reddit search
URSA Broadcast G2
Designed for live/ENG, the URSA Broadcast G2 pairs naturally with V-Mount packs. Larger batteries help when powering viewfinders, wireless links and on-camera lighting. Discussions often cover ATEM integration, firmware updates and remote control options.
Community resources: Blackmagic Forum · Reddit search
Pocket Cinema Camera 6K Pro
The Pocket 6K Pro runs on internal batteries but is frequently rigged with an external V-Mount plate for long shooting days and powering monitors or wireless video from the same source. Owners share rig weight tips, LUT workflows and recommended power splits.
Community resources: Blackmagic Forum · Reddit search
Panasonic
VariCam LT
VariCam LT is used widely in drama and documentary. V-Mount batteries are the standard powering method, with larger packs chosen when also running accessories from the camera’s power outputs. Communities discuss image characteristics, dual native ISO use and power budgeting.
Community resources: DVXuser · Reddit search
AJ-PX5000 (ENG)
A classic ENG camera with native V-Mount support via a rear plate. Crews often use 98–155 Wh batteries to balance long runtimes with manageable weight for field reporting. Owners compare codec options, firmware updates and live workflows in forum threads.
Community resources: DV Info Net · Reddit search
JVC
GY-HC900
JVC’s shoulder-mount CONNECTED CAM integrates a rear V-Mount plate and is designed for networked ENG workflows. It’s typically powered with 14.8 V batteries for long news shifts. Operators discuss streaming chains, studio integration and power distribution.
Community resources: DV Info Net · Reddit search
Z CAM
E2 Series (E2 Mark II, F6 Pro)
Z CAM’s modular bodies are compact and efficient. Operators often mount mini V-Lock plates to feed the DC-in; low draw allows long runtimes even on smaller packs. Owners share firmware notes, codec choices and timecode/power integration tips.
Community resources: Reddit search · EOSHD
Runtime Table (Body-Only)
| Camera | Draw (W) | 98 Wh | 155 Wh | 190 Wh |
|---|---|---|---|---|
| Sony VENICE 2 | ~70 | 1.4 h | 2.2 h | 2.7 h |
| Sony FX9 | ~35 | 2.8 h | 4.4 h | 5.4 h |
| Sony FX6 | ~20 | 4.9 h | 7.8 h | 9.5 h |
| Sony PXW-Z450 / X400 / X500 | ~22–25 | 4.1–4.5 h | 6.5–7.0 h | 7.9–8.6 h |
| Sony PMW-500 | ~23 | 4.3 h | 6.7 h | 8.2 h |
| Sony PMW-F55 | ~22 | 4.5 h | 7.0 h | 8.6 h |
| Canon C500 II | ~32 | 3.0 h | 4.8 h | 5.9 h |
| Canon C300 III | ~30 | 3.3 h | 5.2 h | 6.3 h |
| Canon C700 | ~40 | 2.5 h | 3.9 h | 4.8 h |
| ARRI ALEXA Mini LF | ~65 | 1.5 h | 2.4 h | 2.9 h |
| RED V-RAPTOR | ~60–70 | 1.4–1.6 h | 2.2–2.6 h | 2.7–3.1 h |
| RED V-RAPTOR XL | ~65–75 | 1.3–1.5 h | 2.1–2.4 h | 2.5–2.9 h |
| RED KOMODO-X | ~25–30 | 3.3–3.9 h | 5.2–6.2 h | 6.3–7.6 h |
| Blackmagic URSA Mini Pro 12K | ~40 | 2.5 h | 3.9 h | 4.8 h |
| Blackmagic URSA Mini Pro 4.6K G2 | ~32–36 | 2.7–3.1 h | 4.3–4.8 h | 5.3–5.9 h |
| Blackmagic URSA Broadcast G2 | ~32–38 | 2.6–3.0 h | 4.1–4.8 h | 5.0–5.9 h |
| Pocket Cinema Camera 6K Pro* | ~16–20 | 4.9–6.1 h | 7.8–9.7 h | 9.5–11.9 h |
*Uses internal batteries; often extended with V-Mount via plate/regulator for longer runtime and accessory power.
V-Mount batteries, the powerhouse for professional cameramen and cinematographers, offer a robust and reliable energy solution for a wide range of camera equipment. These high-capacity batteries provide extended shooting capabilities, ensuring uninterrupted power for cameras, lights, monitors, and other gear on film sets and video productions.
With their versatile design, V-Mount batteries are compatible with a variety of professional cameras, including digital cinema cameras, camcorders, and lighting equipment, making them an industry-standard choice. Their lightweight and compact form factor make them easily portable, catering to the mobile needs of filmmakers in diverse shooting environments.
These batteries boast exceptional durability, constructed to withstand the rigors of on-location filming, ensuring a consistent power supply throughout extended shoots. They offer a high energy density, delivering long-lasting performance to capture every crucial moment without interruptions.
V-Mount batteries come with various capacities, providing options for filmmakers to choose the appropriate power level based on their specific requirements. This flexibility allows for customization and adaptability to different shooting conditions and equipment demands.
Their intelligent design includes features like built-in LED indicators that display the remaining battery life, enabling filmmakers to manage power usage effectively. Additionally, some models incorporate multiple D-Tap ports, allowing simultaneous power supply to various accessories.
The rechargeable nature of V-Mount batteries makes them a cost-effective and eco-friendly choice, reducing the dependency on disposable batteries and minimizing environmental impact.
Their compatibility with chargers and power stations ensures efficient recharging between takes, eliminating downtime and optimizing production schedules. V-Mount batteries also support hot-swapping, allowing filmmakers to replace depleted batteries without interrupting the filming process.
In the highly competitive film industry, these batteries are an essential tool for professionals, providing the necessary power reliability and flexibility demanded by cinematographers and cameramen. Their widespread adoption underscores their reliability and performance, solidifying their position as an indispensable asset in the filmmaker's toolkit.
Crafted to meet the demands of high-quality productions, V-Mount batteries remain an integral component in the realm of professional filmmaking, empowering creators to bring their visions to life with seamless and uninterrupted power support.
